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Milkman
Download Ebook Milkman
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In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle and rumours start to swell, middle sister becomes "interesting" - the last thing she ever wanted to be. To be interesting is to be noticed, and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is a story of inaction with enormous consequences.
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Audible Audiobook
Listening Length: 14 hours and 11 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Dreamscape Media, LLC
Audible.com Release Date: December 4, 2018
Whispersync for Voice: Ready
Language: English, English
ASIN: B07JJJTT29
Amazon Best Sellers Rank:
I know everyone has their own literary tastes, but I cannot fathom how anyone can like this book. It's a seemingly endless incoherent stream of consciousness written in a presumably imagined vernacular. I actually had to read about the book to figure out that it may or may not be about Belfast during the 70s (There! Saved you $10 and a few hours).The book's plot is almost non-existent. The character development equals that found in mid-term papers from 7th grade creative writing classes. The narrative is vague and non-sensical to the point of giving you anxiety.Every now and then the Man Booker judges miss the mark. Man Booker winners share common surrealistic themes, with winners being unique and bleeding edge...something that hasn't been done before. Sometimes the judges choose art over literature, discounting the literary deficiencies for the artistic vision and creativity. In this case, the judges selected an art installation. Literary garbage. But unique...a writing style that has never been tried before. The problem is, there is a reason it has never been tried. Because it doesn't work. It is miserable and nauseating to read and should have never been published.I would rate this zero starts if I had the option.
I am in the minority it seems. I struggled to enjoy this book. The author's writing style was extraordinarily difficult for me. None of the characters were named. They were referred to as "middle sister", "Somebody McSomething", "maybe boyfriend", "third brother -in-law", etc., was tedious and maddening. The writing style of this book was distracting. Long, dense paragraphs that were hard to follow. I gave up after 100 grueling pages.Once again, a Booker Prize winner has been unreadable for me. When will I learn?
Fascinating funny....so well written, with inner thoughts I never brought to consciousness. I was a social worker in Belfast during this time. It all feels so real.
All a novel should be and the best I can recall reading in years upon years. I will be gobsmacked if this does not win the Booker Prize. I am astounded that there are so few reviews and that they are, on balance, quite poor. There is so much going on at so many levels in this story, all masterfully executed. One thought for those unaccustomed to the dialect who may find the language a bit of an obstacle - consider the audiobook. For me the language is the central joy of this novel, but there’s SO much more beyond that to think about here: history, politics, social psychology and pathology, interpersonal dynamics, gender roles, and more.ETA: this exquisite novel did indeed win the Booker prize, and all is right with my world - thank you, Ms. Burns!
Perhaps it’s not right to invent a title for a review that concatenates the title and author of the book under consideration but in this case it seems so appropriate. This novel so well written, so lyrically Irish, such dark humour hurt me, burnt me. I’ve not read anything else that so successfully conveys what it must have been like to live through The Troubles of Northern Ireland and the impact this had on the minds of the people who felt they had no choice but to endure and survive those times as best they could.We are told the active voice of the principal character, nameless Middle Sister, a girl of 18 , of events unfolding around and over her, covering a period of just a few months. Through rambling sentences spiced with recall and speculation a current and historical profile of unnamed neighbourhoods (I guess Belfast) emerge populated by lithe, criminally inclined, politically bloated, blighted as well as delightful inhabitants.Burn’s skilfully conveys the agony of living in a repressive society beset with tribal loyalties and fear. I had to force myself to keep reading Burn’s intimately affective, ‘fictional’ account and accept the shadowy presence of clumsy British occupying soldiers and violent IRA patriots.Middle Sister is stalked by a powerful figure in the resistance: Milkman. He is married, in his thirties, a looming criminal. The threat of his presence alone in the absence of touch is nevertheless too close, visceral, overwhelming. She is incredibly brave. She feels she must protect her bisexual Sometime Boyfriend, watch out for more than poisoned words,defend herself from the unsympathetic narrative of her best Old Friend, ignore the constant harassment of her mother, First Older Sister and others.She must deal with the attention of a rejected suitor Somebody McSomebody, a young, pathetic pistol packing neighbour who attacks her in the loo.Perhaps most terrifying of all, our narrator, Middle Sister is caught in a culture of hostile gossip whose actors compulsively invent false stories about her, disarm and imprison her in a silo of alienated silence. We wait with growing impatience under salvos of words for something to break her entrapment.Burn’s conveys the tension between Middle Sister and those closest to her and the events that surround her in a simultaneously frightening, funny and entirely convincing way. We forget the inherent contradiction between who the truly articulate Middle Sister is who is writing the text and the girl who cannot ask for help from those in a position most likely to provide it is the same person.The Middle Sister who wrote this novel may not be the author but the author knows her so well I feel it is her alter ego talking to her younger self. Burn’s describes the prison of what seems to be her own internment. There is no need for her to explain why her eminently capable narrator is incapable of helping herself.The profound message intended or not is the way this wonderful story captures a time and place, a state of mind, what is was to be living inNorthern Ireland during The Troubles. In such a milieu, such a volatile and dangerous space it is best to fain ignorance, avoid extending to much trust in others, sensible to remain silent.There is nothing as boring as didactic intent in Burn’s wonderful novel but the lessons are there. What of current day tribalism and where it could take us? Why so many closed narcissistic minds? Why the unwillingness to listen to and respect other people’s point of view? How come we never learn?Yes, it’s complicated. Let me make it even more so. Oscar Wilde writing of a much earlier phase of The Troubles wrote something like this “if only the English would learn to talk and the Irish to listen we would have a very civilised societyâ€
I had a hard time getting into this book at first, so I tried an experiment of ordering the whispernet addition. The audible addition to this book enhanced my engagement with the book ... I think because the Irish dialect and excellence of the reader helped me focus. I don't understand why this worked in my brain, but so it was. Then I was able to capture the humor and the pathos of this period of time. Structure of the book is intriguing.
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